Video

Journey (in the dream)

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Journey (in the dream)

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Dancing Tree

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Dancing Tree

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Flowers

Flowers, is a video installation by artist Cheryl Maeder, which I collaborated on and edited.  Link To Full Length Video

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Flowers

Flowers, is a video installation by artist Cheryl Maeder, which I collaborated on and edited.  Link To Full Length Video

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Super Natural

Super Natural, is a video installation by artist Cheryl Maeder, which I collaborated on and edited.  Link To Full Length Video

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Super Natural

Super Natural, is a video installation by artist Cheryl Maeder, which I collaborated on and edited.  Link To Full Length Video

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The Voyage

The Voyage, is a video installation by artist Cheryl Maeder, which I collaborated on and edited.

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The Voyage

The Voyage, is a video installation by artist Cheryl Maeder, which I collaborated on and edited.

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Frequency

Frequency is a video installation by artist Cheryl Maeder, that I collaborated on and edited. (Photo: Art Palm Beach, 2019) Full Length Video Link

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Frequency

Frequency is a video installation by artist Cheryl Maeder, that I collaborated on and edited. (Photo: Art Palm Beach, 2019) Full Length Video Link

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Straightjacket Romance

*This video contains Mature/Adult content (nudity). Mary Coyle – in her reoccurring role as a suited man. Coyle inserts herself into the work as ‘actor,’ allowing for the re-invention of self through stereotypes. Issues of identity and gender are brought

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Straightjacket Romance

*This video contains Mature/Adult content (nudity). Mary Coyle – in her reoccurring role as a suited man. Coyle inserts herself into the work as ‘actor,’ allowing for the re-invention of self through stereotypes. Issues of identity and gender are brought

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Overqualified, Over Due, Over It

Mary Coyle – in her reoccurring role as a suited man. Coyle inserts herself into the work as ‘actor,’ allowing for the re-invention of self through stereotypes. Issues of identity and gender are brought into question. Her sets are recreated

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Overqualified, Over Due, Over It

Mary Coyle – in her reoccurring role as a suited man. Coyle inserts herself into the work as ‘actor,’ allowing for the re-invention of self through stereotypes. Issues of identity and gender are brought into question. Her sets are recreated

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Paper Pusher

Mary Coyle – in her reoccurring role as a suited man.  Coyle inserts herself into the work as ‘actor,’ allowing for the re-invention of self through stereotypes.  Issues of identity and gender are brought into question.  Her sets are recreated

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Paper Pusher

Mary Coyle – in her reoccurring role as a suited man.  Coyle inserts herself into the work as ‘actor,’ allowing for the re-invention of self through stereotypes.  Issues of identity and gender are brought into question.  Her sets are recreated

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Suit Run Suit

Mary Coyle – in her reoccurring role as a suited man.  Coyle inserts herself into the work as ‘actor,’ allowing for the re-invention of self through stereotypes.  Issues of identity and gender are brought into question.  Her sets are recreated

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Suit Run Suit

Mary Coyle – in her reoccurring role as a suited man.  Coyle inserts herself into the work as ‘actor,’ allowing for the re-invention of self through stereotypes.  Issues of identity and gender are brought into question.  Her sets are recreated

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Hitting Time

Mary Coyle – in her reoccurring role as a suited man.  Coyle inserts herself into the work as ‘actor,’ allowing for the re-invention of self through stereotypes.  Issues of identity and gender are brought into question.  Her sets are recreated

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Hitting Time

Mary Coyle – in her reoccurring role as a suited man.  Coyle inserts herself into the work as ‘actor,’ allowing for the re-invention of self through stereotypes.  Issues of identity and gender are brought into question.  Her sets are recreated

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